The icon of Christ Pantocrator will be the theme for the class. The first time students will work on Archangel Michael/Archangel Gabriel, the others will work on the icon of Christ Pantocrator.
We are working our way through the principles and elements of great design – one class at a time. See how Abstraction makes it all seem effortless… Kathleen Mooney has been exploring the possibilities for over 2 decades – come enjoy the magic! www.KathleenMooney.com
Plan on bringing a $15 fee for materials made out to Kathleen Mooney. This $15.00 materials fee includes items that you would have to buy in bulk or spend a lot of time and effort seeking out. This ensures everyone in the class will have the same standard materials and supplies for this class. For this class that includes a 1 1/2 inch brush, scraping tools, and Deli Wrap. You may also use additional colors from Kathleen’s bin of acrylic paints, watercolors, conte crayons and graphite pencils. The cost of this workshop is $165.
This studio workshop will explore the properties of snow: how the light, and the surroundings, affect the snow, and how the snow affects its surroundings. I’ll demonstrate how snow can be used as a great foil for design in the landscape. We will look at the various watercolor techniques that can be employed to enhance winter landscapes. I will present tips on how to simplify, and, at the same time, strengthen your paintings. http://ericmichaelsfineart.com/
If you already work with acrylics and watercolor be sure to bring your favorite colors along! If not, Kathleen can share…
Kathleen Mooney has been exploring the possibilities for over 2 decades – come enjoy the magic!
Plan on bringing a $15 fee for materials made out to Kathleen Mooney. This $15.00 materials fee includes items that you would have to buy in bulk or spend a lot of time and effort seeking out. This ensures everyone in the class will have the same standard materials and supplies for this class. For this class that includes a 1 1/2 inch brush, scraping tools, pipettes, Deli Wrap, Graphite pencil, and Conte Crayon. You may also use additional colors from Kathleen’s bin of acrylic paints. The cost of this workshop is $165.
- *Please note that you need to sign up for this workshop a month before it begins. Often we need to fly these instructors in. If we don’t have enough people signed up to cover the basic costs we must cancel the workshops. We want to run all of the workshops. Please help us with this by signing up a month before the workshop begins.
www.EvansenArtStudio.com There seems to be a never-endinq quest to loosen up in watercolor. I hear it from my students all the time. It’s easy to fall into the trap of putting too much into your paintings, and editing out the non-essential whether working from photo reference or painting on location is so important. Painting loosely doesn’t just happen, it comes from gaining a comfort level with your skills and materials over time. However, there are techniques that can speed up this process. In my workshop, we’ll discuss ways to simplify a scene into larger shapes that will help you paint more boldly. Value studies are emphasized from the outset. I will complete at least one demonstration painting each day, covering topics such as drawing, skies, trees, buildings, water, and figures. By the end of the class, each student should have enough information to help them on their path to painting impressionistic watercolors.
Curiosity, openness, and dialogue are the most important tools for engaging with the medium in a “contemporary” manner.
It is: open, Expressive, Loose, often Abstract, Fluid, has the Beauty of the “Mistakes”, Exploratory, combines Water / Pigment / Paper / Timing, involves movement and change, luminous Color, has Traces of History – it can be difficult to remove past brush strokes, is Atmospheric, often Challenging.
Join Kathleen Mooney – a signature and award-winning member of NWS – National Watercolor Society as she guides you into the free and fluid approach to Contemporary Watercolor. www.KathleenMooney.com
This three-day course includes demonstrations, viewing examples of the best of contemporary watercolor, studio time to explore new techniques and materials, and individual discussions of how to powerfully define where you engage with this highly personal approach to watercolor and water media. One to one coaching with compositional focus. Defining what Contemporary Watercolor means to you!
Prepare for working with an exciting and challenging medium — mixed with a healthy dose of humor and an encouraging, relaxed approach. Invite water to be a visible part of each painting you create!
Plan on bringing a $15 fee for materials made out to Kathleen Mooney. This $15.00 materials fee includes items that you would have to buy in bulk or spend a lot of time and effort seeking out. This ensures everyone in the class will have the same standard materials and supplies for this class. For this class that includes three of Kathleen’s favorite 1 1/2 inch brushes, scraping tools, and Deli Wrap. You may also use additional colors from Kathleen’s bin of acrylic paints, watercolors, water soluble pastels, conte crayons and graphite pencils. The cost of this workshop is $365.
In this Class, Students will paint from the live model. Using the clothed model, Kevin will teach the elements that make up a great painting: ‘thinking abstractly’, ‘being able to see and make decisions quickly’, as well as color, value, and the use of lost and found edges. Students will also have time to learn how to paint the portrait from the live model.
Whether you are an experienced painter, or have never drawn the human form, Kevin’s approach to ‘seeing’ and drawing are methods that are easily grasped. Demonstrations will be done in the mornings, while students will get the chance to put into practice the morning’s lesson, in the afternoon sessions. http://www.kevinbeilfuss.com/
We are on a journey to discover the incredible joy and delight of paper making. From ancient times plant fibers have been made into paper. Working from plant materials either found on the Franciscan Life Process Center, or that I bring with me, we will create unique papers that are more beautiful than can be purchased in any store. Plant leaves or stalks will be cleaned, cooked, and beaten by hand or in a Holland beater. The second day will be spent making paper. On the third day we will take either the paper that was made the day before or new text blocks made from cotton T-shirt scraps from India to create hard backed journals. In the afternoon of the third day we will write, draw, paint, collage, or paste photos into our new journals. This workshop is good for teens and adults who are beginners and up.
Please plan on bringing $20 for supplies.
Qiang’s approach to landscape painting will be demonstrated with particular focus on choosing dramatic compositions, observing the light distribution, and using bold and loose strokes to create a powerful and accurate representation on canvas. Using demonstrations, presentation, and individual assistance, Qiang will explain his process of creating energetic paintings by manipulating values, colors, edges, and brushwork. Personal attention will be given to each student according to his or her current skill level and personal goals in art. The workshop is designed for indoor practice from your photos of a landscape scene.
Please join national, award-winning landscape artist Greg LaRock as we explore the landscape through the studio process! Selecting proper images to paint from is critical to the start of a successful painting. Understanding what makes for a good reference photo and how to edit is the key. In this workshop we will discuss:
• The process of painting the landscape using photo references
• What to look for and what to avoid in your image selection
• Understanding where the camera images fail and how to compensate
• Adjusting you images for better color and cropping
• Building a painting (16×20) in two sessions
My workshops are designed to take you to the next level in painting. They will cover:
• How to organize elements for successful composition
• The importance of shape division, shape balance and focal interests
• The construction of a painting: How to build it from the ground up.
• Achieving depth and atmosphere: What works and what doesn’t.
• Understanding the power of large masses.
• Colors and temperatures and how they relate to your values.
And much more! We will cover the entire painting process from concept to completion. Don’t miss out!
WORKSHOPS WITH GREG LAROCK
Student Level: Advanced Beginner and up. Students should have a basic understanding of how to set up their easel and work with their materials, plus some paint mixing experience. You should also have a knowledge of perspective and a capable drawing ability.
Objective: To improve your painting approach and provide information to help you understand how to create a more successful painting. If you feel you’ve reached a “plateau” in your work or are having problems with composition, values and simplification, then this workshop can help.
What To Expect: I try to give students a solid foundation to build upon and the tools to improve. This is based in the structure of a painting and understanding how to make things read correctly. I’ll show each student what’s working in their own paintings and where the problem spots are. I’ll point out the fundamentals of good design and proper organization of elements. Although, due to the limited amount of instructional time in a workshop, no one will become a master overnight, nor are there magical shortcuts or equipment. Only with hard work and perseverance, will one be able to meet the individual goals as a painter.
• On location demos: My demos cover the entire painting process from concept to completion. I’ll talk through every step of the process so you will see and understand exactly how I work and think.
• Individual instruction at each student’s easel.
• Group critique at the end plus personal critiques of student’s work brought from home.
• Free goodies for all students.